{"id":52316,"date":"2022-11-23T19:47:32","date_gmt":"2022-11-23T18:47:32","guid":{"rendered":"https:\/\/efecomunica.efe.com\/?p=52316"},"modified":"2022-11-30T00:27:08","modified_gmt":"2022-11-29T23:27:08","slug":"miamis-bill-cunningham-documents-citys-cultural-roots","status":"publish","type":"post","link":"https:\/\/efecomunica.efe.com\/en\/miamis-bill-cunningham-documents-citys-cultural-roots\/","title":{"rendered":"Miami&#8217;s &#8220;Bill Cunningham&#8221; documents city&#8217;s cultural roots"},"content":{"rendered":"<p>By Lorenzo Castro E.<\/p>\n<p>Miami (USA), Nov 23 (EFE).- Art curator <strong>Barry Fellman<\/strong> has documented the <strong>&#8220;creative movement&#8221;<\/strong> that has emerged in <strong>Miami<\/strong> over the last decade, during which the &#8220;diverse and ever-changing\u201d South Florida city, as he said in an interview with EFE, has become one of the cultural capitals of the world.<\/p>\n<p>&#8220;Over the last 10 to 15 years there has been an explosion of new energy in the city,&#8221; said Fellman, who is always present with a camera at the most significant local cultural events and who many call the <strong>&#8220;Bill Cunningham&#8221;<\/strong> of Miami, a reference to the famous trend-spotting photographer for The New York Times.<\/p>\n<p><strong>&#8220;Miami Creative, a Decade of Transformation&#8221;<\/strong> published by <strong>Letter16 Press<\/strong> brings together more than 200 photographs taken by Fellman in the last ten years and is a record of the &#8220;incredible period of time when Miami really transformed&#8221; and developed &#8220;deep roots in the arts and culture,&#8221; the curator said.<\/p>\n<blockquote><p>In the book &#8220;there&#8217;s a sense that art and culture that provide us with a magical elixir that allows us to experience something together and really break down our differences,&#8221; said Fellman, a 30-year veteran and director of the <strong>Center for Visual Communication<\/strong>, a 3,000 square-meter gallery in Wynwood, Miami&#8217;s arts district.<\/p><\/blockquote>\n<p>Fellman, who always carries a non-professional camera with him wherever he goes, has recorded the radical transformation of the local neighborhood, which was once a run-down and dangerous industrial zone and today is home to up-market buildings and designer stores, as well as other areas that have shaped the new cosmopolitan face of this city, where &#8220;some of the most interesting artists of the moment&#8221; have gone.<\/p>\n<blockquote><p>&#8220;Miami gives you possibilities, Miami is a place where your imagination can run wild, and Miami is a place where if you have an idea and if you are tenacious enough Miami will listen,&#8221; said Fellman, who was responsible for the photography exhibitions at the <strong>Miami Art Center<\/strong>, which today is the <strong>Perez Art Museum Miami (PAMM).<\/strong><\/p><\/blockquote>\n<p>He also highlighted the &#8220;significant investments&#8221; in the sector made by institutions such as <strong>The Knight Foundation<\/strong>, as well as the work of &#8220;a dedicated group of local artists and educators.&#8221;<\/p>\n<h2>PROVOCATIVE AND UNIFYING ART<\/h2>\n<p>Fellman&#8217;s collection of art, photographs and art installations not only reflect his &#8220;true love&#8221; for this city, where he was born, but certify that he has identified its &#8220;particular flavor,&#8221; as <strong>Miami-Dade County Mayor Daniela Levine Cava<\/strong> told EFE, who hailed the photographer&#8217;s &#8220;imprint&#8221; on the growing local art community.<\/p>\n<blockquote><p>&#8220;We definitely need more Barrys in our community, someone who appreciates art across cultures, languages and media,&#8221; the mayor said.<\/p><\/blockquote>\n<p>The qualities and spirit of the Florida city are present in the exhibition <strong>&#8220;The Miami Creative Movement&#8221;<\/strong>, curated by Fellman and which will open for Miami Art Week, a series of international fairs and events that will take place starting Nov. 29 with Art Basel as the centerpiece.<\/p>\n<blockquote><p>&#8220;One of the ideas behind the book and the show is to reflect on the power of our culture to create community, to bring us joy and create connections when we go through the same experiences; that art provokes and really has the power to connect us to a place,&#8221; Fellman said.<\/p><\/blockquote>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe class=\"youtube-player\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/w0oQvpWGens?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<h2>NATURAL AND URBAN LANDSCAPES<\/h2>\n<p>The fifteen artists who are part of the collective are exhibiting works created in the last two years, that is, during the <strong>Covid-19 pandemic<\/strong>.<\/p>\n<p>If there is one trait that unifies them, it is, in addition to their traditional media, mostly oils or acrylics on canvas, that they use vivid colors, which reflect in their own way Miami\u2019s natural and urban landscape.<\/p>\n<blockquote><p>&#8220;Light, sound, movement, air, wind, breeze, all the elements of our natural and urban landscape are part of the paintings in the show,&#8221; said Fellman, who sought a balance between the spirit of Miami and the &#8220;stillness&#8221; and confinement forced by the pandemic with the selection of artists.<\/p><\/blockquote>\n<p>&#8220;Fluidity is everything,&#8221; said American artist <strong>Kathleen Staples<\/strong>, who is exhibiting two works.<\/p>\n<p>Staples says color is very important and likes to &#8220;layer to create depth and mystery.&#8221;<\/p>\n<p>Puerto Rican <strong>Carlos Betancourt<\/strong> exhibits &#8220;Landscape Reimagined&#8221;, a collage in which he deals with the syncretism of the Caribbean and Miami, a city he says is like &#8220;living in a fantasy world.&#8221;<\/p>\n<div class=\"tiled-gallery type-rectangular tiled-gallery-unresized\" data-original-width=\"800\" data-carousel-extra='{&quot;blog_id&quot;:1,&quot;permalink&quot;:&quot;https:\\\/\\\/efecomunica.efe.com\\\/en\\\/miamis-bill-cunningham-documents-citys-cultural-roots\\\/&quot;,&quot;likes_blog_id&quot;:186910745}' itemscope itemtype=\"http:\/\/schema.org\/ImageGallery\" > <div class=\"gallery-row\" style=\"width: 800px; height: 359px;\" data-original-width=\"800\" data-original-height=\"359\" > <div class=\"gallery-group images-1\" style=\"width: 534px; height: 359px;\" data-original-width=\"534\" data-original-height=\"359\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/efecomunica.efe.com\/en\/miamis-bill-cunningham-documents-citys-cultural-roots\/imagen-miamis-bill-cunningham-documents-citys-cultural-roots-2\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"530\"> <meta itemprop=\"height\" content=\"355\"> <img loading=\"lazy\" decoding=\"async\" class=\"\" data-attachment-id=\"52320\" data-orig-file=\"https:\/\/efecomunica.efe.com\/wp-content\/uploads\/2022\/11\/rss-efef7b7ea3c885eb287ca3724e4c988344ea8dafcecw.jpg\" data-orig-size=\"1920,1285\" data-comments-opened=\"\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;EFE&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;Artist John Bailly in front of one of his works on November 21, 2022, in Miami (USA). EFE\\\/ Antoni Belchi&quot;,&quot;created_timestamp&quot;:&quot;1669228888&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;Miami\\u0027s \\u0022Bill Cunningham\\u0022 documents city\\u0027s cultural roots&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Imagen-Miami&amp;#8217;s &amp;#8220;Bill Cunningham&amp;#8221; documents city&amp;#8217;s cultural roots\" data-image-description=\"&lt;p&gt;Artist John Bailly in front of one of his works on November 21, 2022, in Miami (USA). EFE\/ Antoni Belchi&lt;\/p&gt; \" data-medium-file=\"https:\/\/efecomunica.efe.com\/wp-content\/uploads\/2022\/11\/rss-efef7b7ea3c885eb287ca3724e4c988344ea8dafcecw-300x201.jpg\" data-large-file=\"https:\/\/efecomunica.efe.com\/wp-content\/uploads\/2022\/11\/rss-efef7b7ea3c885eb287ca3724e4c988344ea8dafcecw-1024x685.jpg\" src=\"https:\/\/i0.wp.com\/efecomunica.efe.com\/wp-content\/uploads\/2022\/11\/rss-efef7b7ea3c885eb287ca3724e4c988344ea8dafcecw.jpg?w=530&#038;h=355&#038;ssl=1\" srcset=\"https:\/\/efecomunica.efe.com\/wp-content\/uploads\/2022\/11\/rss-efef7b7ea3c885eb287ca3724e4c988344ea8dafcecw.jpg 1920w, https:\/\/efecomunica.efe.com\/wp-content\/uploads\/2022\/11\/rss-efef7b7ea3c885eb287ca3724e4c988344ea8dafcecw-300x201.jpg 300w, https:\/\/efecomunica.efe.com\/wp-content\/uploads\/2022\/11\/rss-efef7b7ea3c885eb287ca3724e4c988344ea8dafcecw-1024x685.jpg 1024w, https:\/\/efecomunica.efe.com\/wp-content\/uploads\/2022\/11\/rss-efef7b7ea3c885eb287ca3724e4c988344ea8dafcecw-768x514.jpg 768w, https:\/\/efecomunica.efe.com\/wp-content\/uploads\/2022\/11\/rss-efef7b7ea3c885eb287ca3724e4c988344ea8dafcecw-1120x750.jpg 1120w, https:\/\/efecomunica.efe.com\/wp-content\/uploads\/2022\/11\/rss-efef7b7ea3c885eb287ca3724e4c988344ea8dafcecw-1536x1028.jpg 1536w, https:\/\/efecomunica.efe.com\/wp-content\/uploads\/2022\/11\/rss-efef7b7ea3c885eb287ca3724e4c988344ea8dafcecw-427x286.jpg 427w\" width=\"530\" height=\"355\" loading=\"lazy\" data-original-width=\"530\" data-original-height=\"355\" itemprop=\"http:\/\/schema.org\/image\" title=\"Imagen-Miami&#039;s &quot;Bill Cunningham&quot; documents city&#039;s cultural roots\" alt=\"Artist John Bailly in front of one of his works on November 21, 2022, in Miami (USA). EFE\/ Antoni Belchi\" style=\"width: 530px; height: 355px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Artist John Bailly in front of one of his works on November 21, 2022, in Miami (USA). EFE\/ Antoni Belchi <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-2\" style=\"width: 266px; height: 359px;\" data-original-width=\"266\" data-original-height=\"359\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/efecomunica.efe.com\/en\/miamis-bill-cunningham-documents-citys-cultural-roots\/imagen-miamis-bill-cunningham-documents-citys-cultural-roots-3\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"262\"> <meta itemprop=\"height\" content=\"176\"> <img loading=\"lazy\" decoding=\"async\" class=\"\" data-attachment-id=\"52318\" data-orig-file=\"https:\/\/efecomunica.efe.com\/wp-content\/uploads\/2022\/11\/rss-efe6d6d1d5f8e6266e7c34d14759ad7ef07f34bea0bw.jpg\" data-orig-size=\"1920,1285\" data-comments-opened=\"\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;EFE&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;Artist Kathleen Staples in front of one of her works on November 21, 2022, in Miami (USA). EFE\\\/ Antoni Belchi&quot;,&quot;created_timestamp&quot;:&quot;1669228888&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;Miami\\u0027s \\u0022Bill Cunningham\\u0022 documents city\\u0027s cultural roots&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Imagen-Miami&amp;#8217;s &amp;#8220;Bill Cunningham&amp;#8221; documents city&amp;#8217;s cultural roots\" data-image-description=\"&lt;p&gt;Artist Kathleen Staples in front of one of her works on November 21, 2022, in Miami (USA). EFE\/ Antoni Belchi&lt;\/p&gt; \" data-medium-file=\"https:\/\/efecomunica.efe.com\/wp-content\/uploads\/2022\/11\/rss-efe6d6d1d5f8e6266e7c34d14759ad7ef07f34bea0bw-300x201.jpg\" data-large-file=\"https:\/\/efecomunica.efe.com\/wp-content\/uploads\/2022\/11\/rss-efe6d6d1d5f8e6266e7c34d14759ad7ef07f34bea0bw-1024x685.jpg\" src=\"https:\/\/i0.wp.com\/efecomunica.efe.com\/wp-content\/uploads\/2022\/11\/rss-efe6d6d1d5f8e6266e7c34d14759ad7ef07f34bea0bw.jpg?w=262&#038;h=176&#038;ssl=1\" srcset=\"https:\/\/efecomunica.efe.com\/wp-content\/uploads\/2022\/11\/rss-efe6d6d1d5f8e6266e7c34d14759ad7ef07f34bea0bw.jpg 1920w, https:\/\/efecomunica.efe.com\/wp-content\/uploads\/2022\/11\/rss-efe6d6d1d5f8e6266e7c34d14759ad7ef07f34bea0bw-300x201.jpg 300w, https:\/\/efecomunica.efe.com\/wp-content\/uploads\/2022\/11\/rss-efe6d6d1d5f8e6266e7c34d14759ad7ef07f34bea0bw-1024x685.jpg 1024w, https:\/\/efecomunica.efe.com\/wp-content\/uploads\/2022\/11\/rss-efe6d6d1d5f8e6266e7c34d14759ad7ef07f34bea0bw-768x514.jpg 768w, https:\/\/efecomunica.efe.com\/wp-content\/uploads\/2022\/11\/rss-efe6d6d1d5f8e6266e7c34d14759ad7ef07f34bea0bw-1120x750.jpg 1120w, https:\/\/efecomunica.efe.com\/wp-content\/uploads\/2022\/11\/rss-efe6d6d1d5f8e6266e7c34d14759ad7ef07f34bea0bw-1536x1028.jpg 1536w, https:\/\/efecomunica.efe.com\/wp-content\/uploads\/2022\/11\/rss-efe6d6d1d5f8e6266e7c34d14759ad7ef07f34bea0bw-427x286.jpg 427w\" width=\"262\" height=\"176\" loading=\"lazy\" data-original-width=\"262\" data-original-height=\"176\" itemprop=\"http:\/\/schema.org\/image\" title=\"Imagen-Miami&#039;s &quot;Bill Cunningham&quot; documents city&#039;s cultural roots\" alt=\"Artist Kathleen Staples in front of one of her works on November 21, 2022, in Miami (USA). EFE\/ Antoni Belchi\" style=\"width: 262px; height: 176px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Artist Kathleen Staples in front of one of her works on November 21, 2022, in Miami (USA). EFE\/ Antoni Belchi <\/div> <\/div> <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/efecomunica.efe.com\/en\/miamis-bill-cunningham-documents-citys-cultural-roots\/el-bill-cunningham-de-miami-documenta-las-raices-culturales-de-la-ciudad\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"262\"> <meta itemprop=\"height\" content=\"175\"> <img loading=\"lazy\" decoding=\"async\" class=\"\" data-attachment-id=\"53030\" data-orig-file=\"https:\/\/efecomunica.efe.com\/wp-content\/uploads\/2022\/11\/b6457409a9fc1329d8e3664388dcc87e849ecea6.jpg\" data-orig-size=\"1920,1285\" data-comments-opened=\"\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;EFE&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;AME5368. MIAMI (ESTADOS UNIDOS), 23\\\/11\\\/2022.- El artista Carlos Betancourt reacciona frente a una de sus obras en entrevista con Efe, el 21 de noviembre de 2022, en Miami (EEUU). El comisario art\\u00edstico Barry Fellman plasm\\u00f3 en un libro un testamento del \\u0022movimiento creativo\\u0022 surgido en Miami durante la \\u00faltima d\\u00e9cada, a\\u00f1os en los que esta ciudad del sur de Florida, \\u0022diversa y en permanente cambio\\u0022, como dijo en una entrevista con Efe, se ha erigido como una de las capitales culturales del mundo. EFE\\\/ Antoni Belchi&quot;,&quot;created_timestamp&quot;:&quot;1669056933&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;El \\u0022Bill Cunningham\\u0022 de Miami documenta las ra\\u00edces culturales de la ciudad&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"El &amp;#8220;Bill Cunningham&amp;#8221; de Miami documenta las ra\u00edces culturales de la ciudad\" data-image-description=\"&lt;p&gt;Artist Carlos Betancourt poses in front of one of his works in an interview with EFE, on November 21, 2022, in Miami (USA). &lt;\/p&gt; \" data-medium-file=\"https:\/\/efecomunica.efe.com\/wp-content\/uploads\/2022\/11\/b6457409a9fc1329d8e3664388dcc87e849ecea6-300x201.jpg\" data-large-file=\"https:\/\/efecomunica.efe.com\/wp-content\/uploads\/2022\/11\/b6457409a9fc1329d8e3664388dcc87e849ecea6-1024x685.jpg\" src=\"https:\/\/i0.wp.com\/efecomunica.efe.com\/wp-content\/uploads\/2022\/11\/b6457409a9fc1329d8e3664388dcc87e849ecea6.jpg?w=262&#038;h=175&#038;ssl=1\" srcset=\"https:\/\/efecomunica.efe.com\/wp-content\/uploads\/2022\/11\/b6457409a9fc1329d8e3664388dcc87e849ecea6.jpg 1920w, https:\/\/efecomunica.efe.com\/wp-content\/uploads\/2022\/11\/b6457409a9fc1329d8e3664388dcc87e849ecea6-300x201.jpg 300w, https:\/\/efecomunica.efe.com\/wp-content\/uploads\/2022\/11\/b6457409a9fc1329d8e3664388dcc87e849ecea6-1024x685.jpg 1024w, https:\/\/efecomunica.efe.com\/wp-content\/uploads\/2022\/11\/b6457409a9fc1329d8e3664388dcc87e849ecea6-768x514.jpg 768w, https:\/\/efecomunica.efe.com\/wp-content\/uploads\/2022\/11\/b6457409a9fc1329d8e3664388dcc87e849ecea6-1120x750.jpg 1120w, https:\/\/efecomunica.efe.com\/wp-content\/uploads\/2022\/11\/b6457409a9fc1329d8e3664388dcc87e849ecea6-1536x1028.jpg 1536w, https:\/\/efecomunica.efe.com\/wp-content\/uploads\/2022\/11\/b6457409a9fc1329d8e3664388dcc87e849ecea6-2048x1371.jpg 2048w, https:\/\/efecomunica.efe.com\/wp-content\/uploads\/2022\/11\/b6457409a9fc1329d8e3664388dcc87e849ecea6-427x286.jpg 427w\" width=\"262\" height=\"175\" loading=\"lazy\" data-original-width=\"262\" data-original-height=\"175\" itemprop=\"http:\/\/schema.org\/image\" title=\"El &quot;Bill Cunningham&quot; de Miami documenta las ra\u00edces culturales de la ciudad\" alt=\"Artist Carlos Betancourt poses in front of one of his works in an interview with EFE, on November 21, 2022, in Miami (USA).\" style=\"width: 262px; height: 175px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Artist Carlos Betancourt poses in front of one of his works in an interview with EFE, on November 21, 2022, in Miami (USA). <\/div> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <\/div>\n<p>&#8220;Diego and Francisco&#8221; is the title of the impressionist-style painting by French-American <strong>John Bailly<\/strong>, in which he addresses the transatlantic dialogue through the portrait of Spaniard Francisco de Villareal and Tequesta native American Diego with the mouth of the Miami River in the background.<\/p>\n<blockquote><p>&#8220;Miami is a conglomeration of different cultural influences, and the fascinating thing is that it continues to evolve,&#8221; said the artist, who highlighted Fellman&#8217;s role in that journey.<\/p><\/blockquote>\n<p>The exhibition curator agrees that &#8220;the diversity and constant change of the city is part of the fabric.&#8221; EFE<\/p>\n<p>lce\/ar\/jac\/lap<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Lorenzo Castro E. Miami (USA), Nov 23 (EFE).- Art curator Barry Fellman has documented the &#8220;creative movement&#8221; that has emerged in Miami over the last decade, during which the [&hellip;]<\/p>\n","protected":false},"author":198164071,"featured_media":52317,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[123769],"tags":[125755],"class_list":["post-52316","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-art"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Miami&#039;s &quot;Bill Cunningham&quot; documents city&#039;s cultural roots - EFE Comunica<\/title>\n<meta name=\"description\" content=\"By Lorenzo Castro E. Miami (USA), Nov 23 (EFE).- Art curator Barry Fellman has documented the &quot;creative movement&quot; that has emerged in Miami over the last\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/efecomunica.efe.com\/en\/miamis-bill-cunningham-documents-citys-cultural-roots\/\" \/>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Miami's \"Bill Cunningham\" documents city's cultural roots - EFE Comunica","description":"By Lorenzo Castro E. Miami (USA), Nov 23 (EFE).- Art curator Barry Fellman has documented the \"creative movement\" that has emerged in Miami over the last","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/efecomunica.efe.com\/en\/miamis-bill-cunningham-documents-citys-cultural-roots\/","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/efecomunica.efe.com\/en\/miamis-bill-cunningham-documents-citys-cultural-roots\/#article","isPartOf":{"@id":"https:\/\/efecomunica.efe.com\/en\/miamis-bill-cunningham-documents-citys-cultural-roots\/"},"author":{"name":"EFE","@id":"https:\/\/efecomunica.efe.com\/#\/schema\/person\/38c335f1ce4cd42430576ef5499343b8"},"headline":"Miami&#8217;s &#8220;Bill Cunningham&#8221; documents city&#8217;s cultural roots","datePublished":"2022-11-23T18:47:32+00:00","dateModified":"2022-11-29T23:27:08+00:00","mainEntityOfPage":{"@id":"https:\/\/efecomunica.efe.com\/en\/miamis-bill-cunningham-documents-citys-cultural-roots\/"},"wordCount":832,"publisher":{"@id":"https:\/\/efecomunica.efe.com\/#organization"},"image":{"@id":"https:\/\/efecomunica.efe.com\/en\/miamis-bill-cunningham-documents-citys-cultural-roots\/#primaryimage"},"thumbnailUrl":"https:\/\/efecomunica.efe.com\/wp-content\/uploads\/2022\/11\/rss-efe4501026dd01e638247d9bb33747c48ab51c7f740w.jpg","keywords":["Art"],"articleSection":["Culture"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/efecomunica.efe.com\/en\/miamis-bill-cunningham-documents-citys-cultural-roots\/","url":"https:\/\/efecomunica.efe.com\/en\/miamis-bill-cunningham-documents-citys-cultural-roots\/","name":"Miami's \"Bill Cunningham\" documents city's cultural roots - EFE Comunica","isPartOf":{"@id":"https:\/\/efecomunica.efe.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/efecomunica.efe.com\/en\/miamis-bill-cunningham-documents-citys-cultural-roots\/#primaryimage"},"image":{"@id":"https:\/\/efecomunica.efe.com\/en\/miamis-bill-cunningham-documents-citys-cultural-roots\/#primaryimage"},"thumbnailUrl":"https:\/\/efecomunica.efe.com\/wp-content\/uploads\/2022\/11\/rss-efe4501026dd01e638247d9bb33747c48ab51c7f740w.jpg","datePublished":"2022-11-23T18:47:32+00:00","dateModified":"2022-11-29T23:27:08+00:00","description":"By Lorenzo Castro E. Miami (USA), Nov 23 (EFE).- Art curator Barry Fellman has documented the \"creative movement\" that has emerged in Miami over the last","breadcrumb":{"@id":"https:\/\/efecomunica.efe.com\/en\/miamis-bill-cunningham-documents-citys-cultural-roots\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/efecomunica.efe.com\/en\/miamis-bill-cunningham-documents-citys-cultural-roots\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/efecomunica.efe.com\/en\/miamis-bill-cunningham-documents-citys-cultural-roots\/#primaryimage","url":"https:\/\/efecomunica.efe.com\/wp-content\/uploads\/2022\/11\/rss-efe4501026dd01e638247d9bb33747c48ab51c7f740w.jpg","contentUrl":"https:\/\/efecomunica.efe.com\/wp-content\/uploads\/2022\/11\/rss-efe4501026dd01e638247d9bb33747c48ab51c7f740w.jpg","width":1920,"height":1285,"caption":"Art curator Barry Fellman speaks during an interview with EFE on November 21, 2022, in Miami (USA). EFE\/ Antoni Belchi"},{"@type":"BreadcrumbList","@id":"https:\/\/efecomunica.efe.com\/en\/miamis-bill-cunningham-documents-citys-cultural-roots\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/efecomunica.efe.com\/"},{"@type":"ListItem","position":2,"name":"Miami&#8217;s &#8220;Bill Cunningham&#8221; documents city&#8217;s cultural roots"}]},{"@type":"WebSite","@id":"https:\/\/efecomunica.efe.com\/#website","url":"https:\/\/efecomunica.efe.com\/","name":"EFE Comunica","description":"Contenidos para empresas","publisher":{"@id":"https:\/\/efecomunica.efe.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/efecomunica.efe.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/efecomunica.efe.com\/#organization","name":"EFE Comunica","url":"https:\/\/efecomunica.efe.com\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/efecomunica.efe.com\/#\/schema\/logo\/image\/","url":"https:\/\/efecomunica.efe.com\/wp-content\/uploads\/2020\/12\/Logo-EFE-Comunica_png.png","contentUrl":"https:\/\/efecomunica.efe.com\/wp-content\/uploads\/2020\/12\/Logo-EFE-Comunica_png.png","width":1080,"height":486,"caption":"EFE Comunica"},"image":{"@id":"https:\/\/efecomunica.efe.com\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/EFEComunicaAgenciaEFE","https:\/\/x.com\/EFEcomunica","https:\/\/www.linkedin.com\/showcase\/efecomunica"]},{"@type":"Person","@id":"https:\/\/efecomunica.efe.com\/#\/schema\/person\/38c335f1ce4cd42430576ef5499343b8","name":"EFE","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/e5fcf26bedbd04dc20896c519164a13fe69c6913f5830d7db51543fa04eb30b4?s=96&d=identicon&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/e5fcf26bedbd04dc20896c519164a13fe69c6913f5830d7db51543fa04eb30b4?s=96&d=identicon&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/e5fcf26bedbd04dc20896c519164a13fe69c6913f5830d7db51543fa04eb30b4?s=96&d=identicon&r=g","caption":"EFE"},"sameAs":["http:\/\/efe.com"],"url":"https:\/\/efecomunica.efe.com\/en\/author\/efedesarrollo\/"}]}},"jetpack_featured_media_url":"https:\/\/efecomunica.efe.com\/wp-content\/uploads\/2022\/11\/rss-efe4501026dd01e638247d9bb33747c48ab51c7f740w.jpg","jetpack_likes_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pcEg1r-dBO","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/efecomunica.efe.com\/en\/wp-json\/wp\/v2\/posts\/52316","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/efecomunica.efe.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/efecomunica.efe.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/efecomunica.efe.com\/en\/wp-json\/wp\/v2\/users\/198164071"}],"replies":[{"embeddable":true,"href":"https:\/\/efecomunica.efe.com\/en\/wp-json\/wp\/v2\/comments?post=52316"}],"version-history":[{"count":10,"href":"https:\/\/efecomunica.efe.com\/en\/wp-json\/wp\/v2\/posts\/52316\/revisions"}],"predecessor-version":[{"id":53031,"href":"https:\/\/efecomunica.efe.com\/en\/wp-json\/wp\/v2\/posts\/52316\/revisions\/53031"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/efecomunica.efe.com\/en\/wp-json\/wp\/v2\/media\/52317"}],"wp:attachment":[{"href":"https:\/\/efecomunica.efe.com\/en\/wp-json\/wp\/v2\/media?parent=52316"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/efecomunica.efe.com\/en\/wp-json\/wp\/v2\/categories?post=52316"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/efecomunica.efe.com\/en\/wp-json\/wp\/v2\/tags?post=52316"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}